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The storms are on the ocean.
And yesterday they moved through Tennessee. A tornado watch was out for all of middle TN until 8 PM, but the focus, the paper said, was on the northern counties. We made it through the day in our area without any severe storms or tornadoes. But three people were killed in other parts of the state. The Weather channel says more storms are expected to arrive Friday. Our state is beautiful, lush and green, but March and April are stormy times in Tennessee.
I hope there's only a pleasant breeze and warm sunshine wherever you are.
The Carter Family recorded "The Storms Are on the Ocean" in 1927 and released it (with "Single Girl, Married Girl" on the other side) in 1928. This was their second record and it was very popular. Over time, it's become a country standard and has been recorded by many singers since, including this version by Sharon White and Rickey Scaggs.
Obama's bailed out the banks and the U.S. auto industry and he's added over 6 trillion dollars to the national debt. And yet, there's still lots of people out of work.
As far as I know, nobody has decided to hit the rails. Yet.
Back in the '30s lots of out of work guys and others who just wanted avoid it did just that. There was a fellow on my mother's side of the family, one of her aunts' husbands who lost his job, left his family, and hit the rails. He hoboed arround and never came back. Until about 40 years later. Just showed up one day and knocked on her door. She had remarried and her second husband had died leaving her an elderly widow. The old hobo may have wanted forgiveness, I'm not sure. And I don't know if he got it. All I know is he didn't come back around after that.
There are plenty of songs about hobos. Most of them romanticize the life. Some of them offer insights. Hank Snow's "Crack in the Boxcar Door" is a romanticized view of the freedom that the rambling hobos were said to enjoy.
Jimmy Rodgers "Hobo's Meditation," is still a bit romanticized but does provide the listener with some insights into hobo psychology. The hobo asks, "will we have to work for a living, or can we continue to roam?" It seems clear that he prefers to roam about the country depending on a little part time work and handouts as opposed to holding down a steady job.
He wonders if heaven will be a utopian-like place where he is equal to the rich man and where he will always have (unearned?) money to spare. The hobo narrator in the song is also fully aware that not too many people respect him.
The Carter Family was country music's first vocal group and recorded songs from the beginning of country music in 1927 on through the '30s until they disbanded in 1944. The members included Alvin Pleasant (A. P.) Carter, his wife Sara, and his sister-in-law, Maybelle Addington Carter who was married to his brother Ezra (not in the group). Sara and Maybelle were also cousins. All were raised in Southwestern Virginia, in the Clinch Mountains in an area called Poor Valley.
Sara sang the lead vocals, Maybelle sang harmony and accompanied the group with her eventually famous and influential "Carter Scratch" style of guitar playing. A. P. usually sang harmony and background vocals but sometimes sang lead.
They recorded first in Bristol, Tennessee, in August of 1927, under the direction of Ralph Peer. The Victor Talking Machine company released some of their records that fall; by 1930 they had sold over 300,000 records.
Sara divorced A.P. in 1936, remarried and moved to California with her new husband's family. The group continued making music but finally disbanded in 1944. The second generation of the Carter Family consisted of Mother Maybelle and her daughters Anita, June, and Helen. They, along with their electric guitar player, a fellow named Chet Atkins, joined the Grand Ole Opry in 1950.
Mother Maybelle and her daughters (minus Atkins) carried on the Carter tradition in the late '50s and '60s, riding the folk wave. Their appearance on Johnny Cash's second TV show in 1969 (June married Johnny in 1968) introduced their traditional style to an even larger audience.
The song "Are You Lonesome Tonight?" was written in 1926 and was first recorded by the Carter Family in 1936. This was the year that Sara left A.P. but that's her voice and Maybelle's on the harmonies. In this great video, put together by shallowford, you can see a sad wistfulness in Sara's face and resignation in A.P.'s.
Sara, it seems, was not as ambitious or driven as was her husband A.P. who was gone a lot during the early days of their marriage, traveling Appalachia looking for songs. Plus, he had a temper. In A.P.'s absence in 1933, Sara fell for a fellow named Coy Bays. They had a somewhat public courtship (people knew about it) that went on for almost three years.
So it's clear that there were already strains and tensions in the marriage when the Carter Family recorded "Are You Lonesome Tonight?" in 1936. I suppose it's one of those rare instances when the emotion of a song is very close to the emotional state of (at least two of) its performers.
(By the way, "Are You Lonesome Tonight?" was released again in 1950 by orchestra leader Blue Baron (Harry Freidman) and reached #19 on Billboard's chart. Baron's version added the spoken narration that Elvis Presley used in his hit 1960 recording of the tune.)
I've selected what is arguably the Carter Family's most famous song "Wildwood Flower" to serve as an example of the second generation's work. It was originally recorded in their May 27, 1928, session, but Mother Maybelle and her daughters continued to perform it regularly throughout their career.
It's also the first song I learned to pick on the guitar and remains a favorite of mine. The main reason I used it as an example here though, is to illustrate Maybelle's "Carter Scratch" guitar technique. She has the capo way down the neck but the style is unmistakable.
Finally, let's hear an old country gospel tune to close out Sunday's Carter Family post. Besides suggesting that the '30s were the "end times," "No Depression in Heaven" also presents the idea that in heaven Christians will transcend and triumph over the economic Depression which had wracked the entire country tremendous suffering. "No Depression" was also recorded back in 1936 and was written by James D. Vaughn of Giles County, Tennessee. On a personal note, this is the county where Joyce and I met at Martin College.
Over time "No Depression" has become a most famous Carter tune and has been covered by many artists from the New Lost City Ramblers to Sheryl Crow. The 1936 recording features both Sara and Maybelle on guitars and A.P. sings the lead.
In my mystery novel Blood Country the narrator and central character is Joe Rose, a Nashville side guitarist and private detective. When I was working on the book, I thought quite a bit about the car I wanted my guitar playing gumshoe to drive.
It may seem a little silly, but what kind of car a character drives is an important signal to the reader. Among other things, it can give the reader information about the character's values, his preferences, and his personality.
The cliche car for book and TV and movie heroes is the Mustang, usually a vintage model. I imagine that goes back to that great Steve McQueen movie Bullit in which he drove the hell out of a dark green one all over San Francisco.
I like Mustangs, but I didn't want Rose to be driving a cliche so the Mustang was out. What I wanted was something that would go along with his tough exterior/tender interior makeup, and something that would make a statement about his ordinariness (just plain Joe), his independence, and his individuality.
Camaros and Firebirds of that late '60s early '70s era are nice, but they just didn't seem right for Rose. I also like Pontiac GTO's but again, for some reason I couldn't picture Rose behind the wheel of one. Joe's cool, but a GTO would maybe be too cool for him. The early '70s Dodge Charger with its brutish hemi is a little more yeoman like in the cool department, which would be good for Joe, but the name itself would suggest that it's the steed for some kind of white knight dude, which Joe is definitely not. At least the knight part.
As I was thinking this over, I remembered a car my son had owned when he was stationed at Shaw AFB in South Carolina in the early '80s. A nice Maverick two door with 302 V8 engine that was manufactured in Cleveland. It was a solid car and, because it was the Ford replacement for the old and light bodied Falcon, it was pretty fast for the time.
I also like both the looks and the name of this car. The fastback style is just sporty enough and since Ford made lots of Mavericks, it underscores Rose's common man status. Also, its name speaks to his independence and stubbornness. All and all, the Maverick seemed to be a nice fit for Joe Rose, a tough Nashville shamus who's not the big star, but the ordinary guitar guy standing just outside the spotlight.
So, after considerable thought, I ended up making Rose's car a 1976 Maverick 2 door, which in the book he says he received in partial payment for his work on a protracted estate case. The car has been in storage for almost thirty years and the heirs tell him they are glad to be rid of it. Rose's Maverick, which is in excellent, almost new shape, is a black two door model with the 302 V8.
The novel is set in Nashville in the music industry. There are plenty of singers and songwriters who've made their names and established their reputations in Music City as mavericks. You might think of Hank Sr., or Waylon, or Willie. or maybe Kristofferson.
There is even one country group called the Mavericks. Their lead singer is Raul Malo who's been on his own recently, but I understand there's a chance they may do a reunion tour this summer.
Here are the Mavericks with lead singer Raul Malo singing "There Goes My Heart," live in Austin, Texas.
P.S. I've been selling quite a few books since before Christmas, mostly in the Kindle format. I think the $.99 price point has helped a lot in getting readers interested, and they are apparently spreading the word. Don't get me wrong. You won't find Blood Country on the Amazon or the NYT best seller lists. At least not yet. But I'm working on it.
Blood Country will be officially announced as the silver award recipient in the national Readers Favorite contest on October 15th in a widely distributed press release. I've already received word about the award, so I'm posting it earlier on Country Dirt. Here's the Readers Favorite review.
Blood Country:
A Nashville Sideman Mystery
Dan Jewell
Fiction - Mystery - Sleuth
Reviewed for ReadersFavorite.com
Book Review
The setting is Nashville, Tennessee, home to country music legends. Joe Rose dreams of being a guitar star. Until his dream comes true, he works as a private investigator. His ex-wife Patty begged him to help her friend Roxanne. She wanted to leave her husband, renown Vern Hamlin, but he didn’t want to let her go. Apparently Vern was impressed with Joe. After receiving a mysterious letter, Vern hires Joe to investigate the murder of his father, King Hamlin. The murder of the legendary country singer took place 20 years previously. Rose interviews several characters including, Monk, Hamlin’s ex-wife, the Professor, and stepmother.
The King left a large estate. Vern has a problem with both drugs and alcohol. His uncle does not want the murder investigated; he thinks it will upset Vern and increase his substance abuse. Jessica Apple is Vern’s assistant. While she thinks solving the murder will bring closure to Vern, she does not like Joe and wants him off the case.
Blood Country is a brilliant mystery by author Dan Jewell. The complex plot is well paced with just the right amount of action. Jewell included enough twists and turns to keep the reader turning pages. There was more than a tad of humor in the plot. The characters are well-developed and multidimensional. Fans of suspense and mystery will not want to miss Blood Country by Dan Jewell. This is one of those special books that you'll read more than once.
My mystery novel, Blood Country, has just been announced as a finalist in the Readers' Favorite Awards. The winners of this prestigious contest will be announced at a dinner in Las Vegas, September 1, 2011. They also gave my book a 5 star review; digital badges have been added to my sidebar reflecting this designation as well as the Readers' Favorite Finalist honor.
There's a whole bunch of people down I24 at the Bonnaroo festival sweating in the hot sun and listening to some great music. Here in Nashful we're in the middle of the big CMA Festival. The Tennessean said earlier that 65,000 fans were expected and now some observers are saying that the number could be bigger than that.
It's hot as hell here too and the streets are blocked off and traffic is backed up all over the place. But people are having a big old time eating and drinking and listening to country music. People have come to Nashful for this event from all over the world, but most are from the States and Canada. There's no question that the CMA Fest is a good thing for the city and for country music.
But in the midst of all this hype and the coiffed and homogenized stars and the electrified and synthesized instruments and the wired and facebooked crowd it's a good time to remember how this kind of music got started. The staring point would be this guy.
Most of the greats in country music have eventually covered Jimmy Rodgers songs or done tribute albums. Here's Merle Haggard's version of one of Jimmy's best known songs, "Waiting for a Train."
And finally here's the Killer doing another old Rodgers tune, "The One Rose That's Left in My Heart."
That last song is dedicated to all the old codgers who still have that "one rose" left in their hearts. I'm one of 'em. Are you?
