500 Miles to Nashville and Dream Country

Tennessee writer Jesse Hill Ford is most famous for his novel The Liberation of Lord Byron Jones which dealt with racial issues in the South. Once in a discussion during a workshop I attended, Ford discussed writing and the types of fiction we in the workshop were experimenting with. Ford advised us to (1) write what we enjoy reading, (2) keep the narrative flowing, (3) create believable characters, and (4) not only put our heroes up a tree but throw rocks at them. It was good advice. And that's what I try to do in my mystery novels. 


Many successful contemporary mystery novels have some sort of angle to set them apart from others in the genre, a sleuth who’s odd or different, or perhaps a specialized setting. I’m working both of these angles. My setting is Nashville, more specifically the country music industry. At present, I’m writing about two sleuths, Joe Rose and Dilly Renfro, and both have certain peculiarities that make them different from other investigators.

Joe Rose, who moonlights as a traditional private eye, is a professional guitarist, but he also works as a sideman on Nashville record sessions. His work as a side guitarist gives him an insider’s perspective on many of the stars and the industry itself, but also adds a dimension to his character. Rose, who’s the narrator in my first novel, Blood Country, is a big, rough and tumble guy with a smart mouth. He's quick to anger and has a problem controlling his violent tendencies. Rose is fictional but if he lived, physically he'd look a little bit like the ex pro football player and sports analyst Howie Long. 


But there's more to Rose than the tough guy exterior, he shows patience when dealing with his clients and has an unswerving loyalty to them. He's also a skilled and accomplished guitarist and his music artistry shows his sensitivity. 

My latest central character or heroine, Dilly Renfro, is featured in my latest novel, Dream Country. She is the daughter of a rich and legendary country singer, Doyle Renfro, as big a star in his day as Eddy Arnold. Dilly was shot in the head by a robber in a mini-market holdup a year ago which has led to some interesting changes in her life. She has become more assertive, admitted to her family she’s a lesbian, and, most importantly, discovered she has precognitive dreams. Besides using her dreams to find her half-sister’s killer, she hires attorney Harry Hardin and Private Investigator Joe Rose to help in her quest.

She too is of course fictional, but I imagine that she would look a lot like the young woman on the cover of Dream Country if she were real. That's one reason I selected this picture for the cover. Check her out in the cover pic in the right column. 

Why Nashville, why country music? In it's original and traditional forms, it's a music that is "of the people." After laboring in the hot sun all day, families in the south would sit on their porches or out under a shade tree and make music. They played stringed instruments--guitars, fiddles, banjos, and mandolins. Some of it was music they had heard their mothers and fathers sing, but there was definitely nothing commercial about it at first. Just people expressing themselves in song. And then the world heard the Carter family, Ernest V. Stoneman, and Jimmy Rodgers on records, and an industry was born. Today, people from Japan, to Germany, to Canada, to California, to Tony, Alabama, listen to and enjoy this music.


Country music deals with basic and universal human issues, that 's why it speaks to and for people around the world, as in this great song by Bobby Bare, "500 Miles Away from Home."

Another reason I like the music is that I’m a Nashville native and I grew up listening to the Grand Ole Opry and Country Music on the radio. I’m not directly connected to the country music business, but I have friends who are song writers and producers. I also know three or four chords on my old Silvertone flattop (I think knowing a few guitar chords is the law in these parts). And I’ve written a song or two, just for fun and my own entertainment. 


One of my students back in the day was a session musician, and he arranged for my wife and I to cut a demo of my songs in the famous Woodland Studio, where artists as diverse as Robert Plant, Roy Acuff, Mother Maybelle Carter, and Gordon Lightfoot have recorded through the years. It was late night, off the books, and the musicians were paid with a case of beer. We had a blast. And now, several years later, I've found a use for a couple of these old songs in my first two mystery novels. Funny how things you forget about still pop up from time to time and reveal themselves to be most useful.